
"The Romans were fascinated by suffering, its representation in art and its recreation in the theater and amphitheater. They admired professional fighters like this boxer and the gladiators in the Colosseum. The writer Tertullian, who as a Christian was no stranger to the mystery of suffering, found the Roman fascination with such men paradoxical. "Men give them their souls, women their bodies...On one and the same account they glorify them and despise them, openly condemning them to ignominy and the loss of civil rights. The perversity of it! Yet they love those they punish and belittle those they admire." (De spectaculis 22). Such strong feelings suggest a sense of identification with the gladiator or the boxer, a feeling that apparently grew stronger as the Empire aged. As the empire monopolized power, individuals may have felt deprived of the same civil rights that gladiators were forced to abjure. And in the Seated Boxer's ability to endure pain, to survive or to die with equanimity and dignity, they mayh have found a terrible model of their own fate."

fn: I see that McGregor also has books on Venice, Washington, and Paris
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