In “The Fugitive,” a movie starring Harrison Ford, an innocent man on his way to death row seizes a chance to run for his life. In the unyielding reality of prison, innocent people often do the precise opposite of running. They dig in their heels. Many go before parole boards and refuse to apologize for “their” crimes, unwilling to offer themselves as exemplars of how the penitentiary really is a place of penance. In Pyrrhic glory, these innocent people prolong their incarceration by refusing to fake remorse for things they did not do, while the guilty quickly learn that the carrot of parole awaits those who muster the necessary show of contrition.
No word on whether Bouquete ever saw The Fugitive or Papillon, but he did treasure a Spanish-language translation of the original Papillon, which he studied to good effect. Dwyer’s account of Bouquete’s escape and his life on the lam is a thriller, but he does concede:
Though Boquete’s escape was brave and harrowing, his flight does not particularly distinguish him. In the 1980s, the
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